Sunday, January 6, 2008
Singers Audition 2008
R. U. 16 – 23 ?With the Ability To Sing/Dance?
R.U. Streetwise, Outgoing, Ambitious & Dedicated
"URS CONNEXTION PTE LTD Management "
Currently forming a choreographed,
Singing/Dancing,
All Female Chinese Pop Act for a Record Recording Deal.
-------
Audition Date: 26-01-08 (Sat) 12 - 6pm
Venue:789A, Geylang Road,
#02-01,Singapore 389675
(Near Geylang Lor 41, Paya Lebar MRT)
Registration fee: $10/=
Call to register : 67486960 or 94743543
Singing Tips - Band Vocalist and Sound Check
Sink or Swim in the Mix
I'm sure many of you have experienced the frustration and strain of having to shout over the band. This of course makes not only your voice, but the entire band, sound bad. Since a good lead vocal can make or break a band, you should be given special attention in the set-up and mix. Make sure your band understands that the singer is the key focal point for the audience. They should support you when you're singing, and then shine during their solos. In addition, always use monitors. They're essential feed-back to help produce accurate pitch and volume. Get a microphone appropriate for your voice and music, and your own monitor/mixer/effects equipment to give you better control over stage mix and volume.
Run a sound check before performing. Spend time checking your vocal mix alone and with the band. Treat your sound-person with respect. Talk with him or her beforehand. If there's no time for a sound check, supply a set-list with information on what's needed from the board for each tune. (If a tune requires echo, figure out delay time and feedback before the show.) Look for ways to be in control of your own destiny!
Singers Audition 2008 Team
I'm sure many of you have experienced the frustration and strain of having to shout over the band. This of course makes not only your voice, but the entire band, sound bad. Since a good lead vocal can make or break a band, you should be given special attention in the set-up and mix. Make sure your band understands that the singer is the key focal point for the audience. They should support you when you're singing, and then shine during their solos. In addition, always use monitors. They're essential feed-back to help produce accurate pitch and volume. Get a microphone appropriate for your voice and music, and your own monitor/mixer/effects equipment to give you better control over stage mix and volume.
Run a sound check before performing. Spend time checking your vocal mix alone and with the band. Treat your sound-person with respect. Talk with him or her beforehand. If there's no time for a sound check, supply a set-list with information on what's needed from the board for each tune. (If a tune requires echo, figure out delay time and feedback before the show.) Look for ways to be in control of your own destiny!
Singers Audition 2008 Team
Singing Tips - Save Your Voice On Stage
Save Your Voice On Stage
Q: I lose my voice when I sing live. I guess I'm pushing harder than when I practice. What should I do about this?
A: The first thing that I usually ask a singer is "how well do you hear yourself in the monitors?" Often, they are not hearing themselves sing on stage, so they figure that the audience can't hear them sing and push their voice harder than what is natural. The result is that the tone becomes dull or strident and often intonation problems occur. Talk to your sound man and make sure that you have enough of your voice in the monitors. If you've got the funds, invest in a headset microphone.
Speed Up Your Trills
Q: I'm working on my R&B/Gospel styling, but my trills are slow and sloppy. Is there any thing I can do to speed up my trills?
A: The first thing we need to do is understand what trills are (also called licks, runs and turns). A trill is a scale sung dynamically with crisp delineation, fast vibrato and a clean attack or onset. In other words, going from one note to another without slurring or sliding, because slurring notes together gives the impression of poor vocal control.
On the other hand, you don't want to add an 'H' sound, a staccato or glottal stroke (clucking noise) to your vocal line to achieve separation between notes. This will create an artificial and artistically unpleasant sound. So how is note delineation organically achieved?
First, start on an F below middle C for the men or F above middle C for the women. Now sing up to a G and then back down. Learn to go back and forth as rapidly as possible without sliding or losing note distinction until you feel a 'bounce' between notes. Use a metronome and start at sixty beats per minute and speed up one or two bpm at a time while singing eighth notes. Speed up only as fast as you can while remaining clean in your note delineation. If you can get to 200 bpm, then you're up to speed with Mariah Carey and Brian McKnight.
Now you just have to learn to put together longer patterns of notes within the scales used for the style you are singing in. These scales are cataloged in the Singing Success Program. It's important to understand that learning is incremental with this. If you only speed up one beat a day, which is so gradual that it can hardly be felt, then in less than four months, you can be at 200 bpm.
Singers Audition 2008 Team
Q: I lose my voice when I sing live. I guess I'm pushing harder than when I practice. What should I do about this?
A: The first thing that I usually ask a singer is "how well do you hear yourself in the monitors?" Often, they are not hearing themselves sing on stage, so they figure that the audience can't hear them sing and push their voice harder than what is natural. The result is that the tone becomes dull or strident and often intonation problems occur. Talk to your sound man and make sure that you have enough of your voice in the monitors. If you've got the funds, invest in a headset microphone.
Speed Up Your Trills
Q: I'm working on my R&B/Gospel styling, but my trills are slow and sloppy. Is there any thing I can do to speed up my trills?
A: The first thing we need to do is understand what trills are (also called licks, runs and turns). A trill is a scale sung dynamically with crisp delineation, fast vibrato and a clean attack or onset. In other words, going from one note to another without slurring or sliding, because slurring notes together gives the impression of poor vocal control.
On the other hand, you don't want to add an 'H' sound, a staccato or glottal stroke (clucking noise) to your vocal line to achieve separation between notes. This will create an artificial and artistically unpleasant sound. So how is note delineation organically achieved?
First, start on an F below middle C for the men or F above middle C for the women. Now sing up to a G and then back down. Learn to go back and forth as rapidly as possible without sliding or losing note distinction until you feel a 'bounce' between notes. Use a metronome and start at sixty beats per minute and speed up one or two bpm at a time while singing eighth notes. Speed up only as fast as you can while remaining clean in your note delineation. If you can get to 200 bpm, then you're up to speed with Mariah Carey and Brian McKnight.
Now you just have to learn to put together longer patterns of notes within the scales used for the style you are singing in. These scales are cataloged in the Singing Success Program. It's important to understand that learning is incremental with this. If you only speed up one beat a day, which is so gradual that it can hardly be felt, then in less than four months, you can be at 200 bpm.
Singers Audition 2008 Team
Singing Tips - Breathing
Breathing for singing is very important for a successful vocal delivery.Primarily it is necessary that you are breathing properly for singing. This involves using the muscles of your diaphragm (the partition of muscles and tendons between the chest and abdominal cavity). When you inhale, the diaphragm pushes downward and contracts as the lungs fill up with air. This action enables the rib muscles to expand outward. You take this breath when you are ready to begin singing your tone. As you exhale and release your tone, your rib muscles and diaphragm begin to relax as you return to your position before the inhalation.
Let us use the song "My Heart Will Go On," (Titanic) performed by Celine Dion, as an example. When preparing to take a breath for singing, you should plan how much air you think you will need to carry you to the end of the line. (If you can, try this experiment in front of a mirror.) Inhale as you feel your rib cage expand, immediately begin thinking about how much air you "feel" you need. You may want to breathe a bit deeper at first, especially if you are a bit nervous or are a beginner. When you are ready to sing, expel as much air as needed. Be aware not to push out too much air at one time or your tone will become breathy.
"Every night in my dreams, (breathe)
I see you I feel you (breathe)
That is how I know you go on. (breathe)
Far across the distance (breathe)
And spaces between us (breathe)
You have come to show you go on. (breathe)
Near, far, wherever you are, (breathe)
I believe that the heart does go on. (breathe)
Once more you open the door, (breathe)
And you're here in my heart And my heart will go on and on.
"If you are still having difficulty with breath control try this trick. Cup one hand around your ear (as you would hold a telephone), begin to take a breath for singing and proceed to sing the song. As you begin to expel the air, listen carefully to your tone. Your attention should be on an even distribution of air throughout the phrase; with just enough air to make a smooth ending.(But you can choose where to stop or breath, if you have enough practise and want to make new challenges)
Singers Audition 2008
Let us use the song "My Heart Will Go On," (Titanic) performed by Celine Dion, as an example. When preparing to take a breath for singing, you should plan how much air you think you will need to carry you to the end of the line. (If you can, try this experiment in front of a mirror.) Inhale as you feel your rib cage expand, immediately begin thinking about how much air you "feel" you need. You may want to breathe a bit deeper at first, especially if you are a bit nervous or are a beginner. When you are ready to sing, expel as much air as needed. Be aware not to push out too much air at one time or your tone will become breathy.
"Every night in my dreams, (breathe)
I see you I feel you (breathe)
That is how I know you go on. (breathe)
Far across the distance (breathe)
And spaces between us (breathe)
You have come to show you go on. (breathe)
Near, far, wherever you are, (breathe)
I believe that the heart does go on. (breathe)
Once more you open the door, (breathe)
And you're here in my heart And my heart will go on and on.
"If you are still having difficulty with breath control try this trick. Cup one hand around your ear (as you would hold a telephone), begin to take a breath for singing and proceed to sing the song. As you begin to expel the air, listen carefully to your tone. Your attention should be on an even distribution of air throughout the phrase; with just enough air to make a smooth ending.(But you can choose where to stop or breath, if you have enough practise and want to make new challenges)
Singers Audition 2008
Singing Tips - How to sing like American Idol ?
If you have watched the show American Idol on television, you have noticed a variety of singers waiting in line to audition for the "opportunity of a lifetime." For various reasons, the show has aired some "singers" that sang off key. These "singers" were ridiculed by the judges of American Idol in front of millions of people on television.
"Do not let this discourage you! If you want to sing correctly, you should start by training your voice. "
A variety of vocal exercises can help you develop your breath control and strengthen your vocal range (some vocal Class can help). You should also practice singing acappella (without musical accompaniment). While you do this, try to record yourself as this will help develop your "ear" for music. Also, try to perform in front of an audience as much as often as possible (even if your audience is only mom and dad). This will help you get over your stage fright.
Singers Audition 2008 Team
"Do not let this discourage you! If you want to sing correctly, you should start by training your voice. "
A variety of vocal exercises can help you develop your breath control and strengthen your vocal range (some vocal Class can help). You should also practice singing acappella (without musical accompaniment). While you do this, try to record yourself as this will help develop your "ear" for music. Also, try to perform in front of an audience as much as often as possible (even if your audience is only mom and dad). This will help you get over your stage fright.
Singers Audition 2008 Team
Some Singing Tips - 10 Steps to check youself in singing
Step 1 - Prepare the InstrumentStress and tension in the body will show up in your singing voice. Learn how to isolate and remove stress from your vocal instrument.
Step 2 - AirflowLearn how to breathe properly for singing as well as increase your capacity and control with detailed instructions and easy to use exercises!
Step 3 - Tone CreationLearn how to create a pure and natural singing tone. Plus smooth the vocal break and increase the singing range. Turn your head/chest voice into your ONE voice by properly blending tone creation in all ranges.
Step 4 - SupportThis lesson concentrate on the actions of the diaphragm. Learn all about how to condition/strengthen this important muscle. Choose from a variety of exercises to increase your control and support abilities of the diaphragm.
Step 5 - ResonanceResonance is the key to your personal sound. Get started with humming and learn how to become a resonance master.
Step 6 - Tone PlacementLearn how to use the vocal mask and shape your sound using SPECIFIC TONE PLACEMENT. Learn how to keep yourself from becoming hoarse when you sing!
Step 7 - Scales, Octaves & TheoryLearn a little bit about music theory and more with fun exercises and related instruction.
Step 8 - Strength, Dexterity & StaminaJust understanding singing concepts is not enough, vocal practice is required to develop stamina and strength. The included vocal exercise is an important step to developing those skills.
Step 9 - Vocal CoordinationLearn to put all the concepts together and sing The Star Spangled Banner, a difficult vocal piece. Use this lesson to learn additional vocal exercise and productive practice techniques.
Step 10 - Vocal MaintenanceNow that you have mastered all the concepts, vocal practice and exercise is needed to maintain your new strength, stamina and skill! Use the extended warm-up workout in this lesson to help keep your voice in performance shape.
Singers Audition 2008 Team
Step 2 - AirflowLearn how to breathe properly for singing as well as increase your capacity and control with detailed instructions and easy to use exercises!
Step 3 - Tone CreationLearn how to create a pure and natural singing tone. Plus smooth the vocal break and increase the singing range. Turn your head/chest voice into your ONE voice by properly blending tone creation in all ranges.
Step 4 - SupportThis lesson concentrate on the actions of the diaphragm. Learn all about how to condition/strengthen this important muscle. Choose from a variety of exercises to increase your control and support abilities of the diaphragm.
Step 5 - ResonanceResonance is the key to your personal sound. Get started with humming and learn how to become a resonance master.
Step 6 - Tone PlacementLearn how to use the vocal mask and shape your sound using SPECIFIC TONE PLACEMENT. Learn how to keep yourself from becoming hoarse when you sing!
Step 7 - Scales, Octaves & TheoryLearn a little bit about music theory and more with fun exercises and related instruction.
Step 8 - Strength, Dexterity & StaminaJust understanding singing concepts is not enough, vocal practice is required to develop stamina and strength. The included vocal exercise is an important step to developing those skills.
Step 9 - Vocal CoordinationLearn to put all the concepts together and sing The Star Spangled Banner, a difficult vocal piece. Use this lesson to learn additional vocal exercise and productive practice techniques.
Step 10 - Vocal MaintenanceNow that you have mastered all the concepts, vocal practice and exercise is needed to maintain your new strength, stamina and skill! Use the extended warm-up workout in this lesson to help keep your voice in performance shape.
Singers Audition 2008 Team
Auditions Tips - GETTING PAST THE FIRST 30 SECONDS
GETTING PAST THE FIRST 30 SECONDS
During an audition or performance situation it is some times necessary to introduce yourself. Be sure to get started on the right foot because sometimes you only have thirty seconds to make an impression. Practice introducing yourself in front of the mirror and analyze your first impression-no matter how silly you feel. Learn from opinions, but do what feels right.
TIP #1 - State your name, don't ask it. Have you ever heard those introductions that make you wonder - is that their name or are they asking me? Practice your delivery tone and make sure your inflection does not rise at the end of the sentence making it sound like an inquiry.
TIP #2 - Slow down. Nerves can often cause you to speed up your speech pattern without you even knowing it. Before you begin speaking, take a deep breath and then speak slowly and clearly with good articulation.
TIP #3 - Mind your body language. Don't fidget. Stand comfortably with one foot slightly in front of the other, with the weight on the balls of your feet. Your arms and hands should remain relaxed by your side unless effective hand motions are being done.
TIP #4 - Eye contact. Look confident, even if you don't feel quite that way underneath. Make good eye contact with your audience. If you are not comfortable with making eye contact, try looking just over the audience's head. When using this technique they will often think you are talking/singing directly to them.
Singer Audition 2008 Team
During an audition or performance situation it is some times necessary to introduce yourself. Be sure to get started on the right foot because sometimes you only have thirty seconds to make an impression. Practice introducing yourself in front of the mirror and analyze your first impression-no matter how silly you feel. Learn from opinions, but do what feels right.
TIP #1 - State your name, don't ask it. Have you ever heard those introductions that make you wonder - is that their name or are they asking me? Practice your delivery tone and make sure your inflection does not rise at the end of the sentence making it sound like an inquiry.
TIP #2 - Slow down. Nerves can often cause you to speed up your speech pattern without you even knowing it. Before you begin speaking, take a deep breath and then speak slowly and clearly with good articulation.
TIP #3 - Mind your body language. Don't fidget. Stand comfortably with one foot slightly in front of the other, with the weight on the balls of your feet. Your arms and hands should remain relaxed by your side unless effective hand motions are being done.
TIP #4 - Eye contact. Look confident, even if you don't feel quite that way underneath. Make good eye contact with your audience. If you are not comfortable with making eye contact, try looking just over the audience's head. When using this technique they will often think you are talking/singing directly to them.
Singer Audition 2008 Team
News Update on Singer Audition 2008
Hey ! Just wanna said thank you for those of you who had asked for the audition form and called to registered. We look forward to see you soon. So jia you =)
Below are some common asked question.
Q) Is the $10/= registration refundable ?
a) No, the $10/= registration is not refundable. This is to ensure everyone who come for this audition are prepared and treasure the time of this audition. So be it fair to other participants and the judges you should come prepared with your song that u want to present (with/without CD) and you can show case whatever talent you have. (but remember this is a singer audition)
*How to get the audition form?
*You can send to ursmediaconnextion@hotmail.com together with your name and contact number, we will send the form to you and at the same time register for you. or you can call 67486960 or 94743543 to register too.
We look forward to see you. Jia you!!!
Singer Audition 2008 Team.
Below are some common asked question.
Q) Is the $10/= registration refundable ?
a) No, the $10/= registration is not refundable. This is to ensure everyone who come for this audition are prepared and treasure the time of this audition. So be it fair to other participants and the judges you should come prepared with your song that u want to present (with/without CD) and you can show case whatever talent you have. (but remember this is a singer audition)
*How to get the audition form?
*You can send to ursmediaconnextion@hotmail.com together with your name and contact number, we will send the form to you and at the same time register for you. or you can call 67486960 or 94743543 to register too.
We look forward to see you. Jia you!!!
Singer Audition 2008 Team.
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